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Advance booking for the film Ke Ghar Ke Dera: Ghar No. 2, which is set to release on Jestha 2, has opened from Tuesday evening.
The film has secured a high number of shows across the country. Nepal’s largest multiplex chain, QFX, has scheduled 25 shows in Kathmandu and 22 shows outside the valley, totaling 47 shows across all its outlets.
INI has allotted 15 shows across its four outlets. One Cinemas has given 4 shows at its Kalimati outlet, while Fcube has also scheduled 4 shows.
Similarly, other multiplexes have also provided a notable number of shows for Ke Ghar Ke Dera: Ghar No. 2. According to film distributor Karan Shrestha, some cinemas are yet to finalize their showtimes. He mentioned that the confirmed show data from theaters across Nepal will be available by today or tomorrow morning.
Directed by Dipendra K. Khanal, the film is releasing on Jestha 2. With strong pre-release buzz, the production team expects the film to perform aggressively at the box office.
The film stars Khagendra Lamichhane, alongside Nischal Basnet, Upasana Singh Thakuri, Aryan Sigdel, Keki Adhikari, Prakash Ghimire, Srijana Napit, Sanjog Rasaili, Rubina Ghimire, Suraj Bista, and others.
The story is written by renowned author Buddhisagar, marking his first screenplay.
The film is a joint presentation of Apple Entertainment, A Plus Entertainment, and Natraj Creation. Krishna Bahadur Thapa is the cinematographer, while Yubraj Karki serves as the executive producer. The producers include Nakeemuddin, Sharad Shrestha, and Kiran Maharjan.
Ke Ghar Ke Dera: Ghar No. 2 narrates a story revolving around homes and rented spaces. It reflects the dreams of the homeless to build a home and the struggles of those who already own one. The trailer has already hinted at this central theme.
Once someone enters the Kathmandu Valley, it’s rare to find a middle-class individual who hasn’t dreamed of owning a home here. The contrast between renting and owning a home repeatedly strikes the lives of many. To escape that pain, people hold on to the dream of having their own house in Kathmandu. They work tirelessly — doing jobs, starting businesses — chasing money. Along the way, they meet all kinds of people — some offering false hope, others issuing threats. What starts as temptation often turns into coercion and entrapment.
As life gets tangled in this web, the big question becomes: How is a new home built? And once built, can it really be sustained? This appears to be the central conflict around which the film’s story revolves.
